Selected Projects

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.Curatorial Project
.Under the Fort

.@ The Rhys Gallery
.Boston, MA, June - July 2006

Featuring the work of:
ALC, Hilary Baldwin, Ria Brodell, Brian Burkhardt, Reniel Diaz,
Amanda Fiedler, Gonzalo Fuenmayor, Tomoko Kakeda, Mark Messersmith, Sally Moore, and Samantha Moyer


A group exhibition of emerging and established artists working in Massachusetts, Florida, Connecticut, New York, and Colombia. The artists in this exhibition pull fragments from “outside the fort” back inside to create their own invented worlds. Daily environments and familiar landscapes are retold through exaggerated narratives transformed by a magic realism and filtered into new spaces of the imagination. Real and Imagined, Indoor and Outdoor, Natural and Constructed all converge under the fort. How does one perceive the world they inhabit? What kind of spaces do we create for ourselves to exist within? The artists in this exhibition respond to their political, emotional, social, and cultural environments through the characters, landscapes, and relationships living within their work.
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.Community Outreach Arts Project
.Blue Print Voyage

.@ The Museum of Fine Arts, Boston
.Project Dates: November - May 2006
.Exhibition Dates: May 20 - August 26, 2006

Between January and May 2006 about one hundred children, ages seven through twelve, from three organizations explored and created works of art in the MFA, led by artist Evelyn Rydz. This unique collaboration brings together the community youth groups’ multiple perspectives on the collections in a new map of the museum, as seen through the children’s eyes.

This exhibition documents the making of Blue Print Voyage, a multimedia collaborative installation created by members of the Boston Chinatown Neighborhood Center, the United South End Settlements, and the West End House Boys and Girls Club of Allston-Brighton in response to their experiences working within the Museum of Fine Arts, Boston’s diverse collections.

Each group participated over a span of eight days. The first visit included an introduction to the project, during which each child was given a sketchbook with a map of the MFA’s galleries. The activities on each subsequent day began with stories, conversations, and sketching. At the end of the session, participants marked the galleries they had visited on their maps. Then the second half of each visit was spent making art. Using sheets of self-adhesive vinyl, the children cut and layered their drawings to create collage decals inspired by artworks from a specific Museum gallery. On their last visit, the children helped with the installation of the exhibition, making their own version of the MFA map. The individual works come together in this overlapping collage to create a new collaborative mural, made up of small fragments and memories of the museum, collected and recreated in the children’s work.

This program was made possible through generous funding from the Linde Family Foundation.

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.Curatorial Project
.Blurring Landscape

.@ GASP, Gallery Artists Studio Projects

.Brookline, MA, September 2004

Featuring the work of:
Hilary Baldwin, Jason Bartsch, Brian Burkhardt, Evelyn Rydz, Jamie Vasta, Lauren Warner

Blurring Landscape offers a look at landscape as a place that is both blurred and in the process of being blurred, a fluid and changing site composed of interconnected dynamic forces. Where does one landscape begin and another end? Where, how, and in what form can nature be located within a landscape? An endless multitude of layered and linked landscapes exist simultaneously, each one affecting its inhabitant’s lives and creating a boundless variety of possibilities and problems for how a given landscape might be experienced and viewed. What is the physical and emotional texture of a landscape’s culture, its colors, economics, ecology, energy, politics, climate, history, seduction, production, cultivation, restrictions, and humanity? While the landscape being proposed here is one of integrations and unification, it is not homogenous, and the experiences of it are always specific.

This exhibition brings together six possibilities of landscape through the work of Hilary Baldwin, Jason Bartsch, Brian Burkhardt, Evelyn Rydz, Jamie Vasta, and Lauren Warner. The artists in this project focus on the nature of landscape, blurring definitions and making boundaries between organic and synthetic, mediated and direct encounters, daydreams and consciousness, and between one place and another more fluid that fixed. Landscape can be a destination, a road side attraction, a designated site to seek out and visit, a National Park, a treasured place to preserve and protect, a nostalgic image of pre-industrial times, an untouched setting, an accumulation of ecological phenomena, an event, a mediated experience, a debris pile, a background or set, a stage for human lives, the site of an archeological dig revealing fragments of time and place. It can be everything and it can be nothing.

 

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